Party backdrop hire in Sydney Region, NSW
Our backdrops are available in circular sizes and are available in different colours, The skies the limit when decorating our backdrops, they look great with balloons, chiffon and displaying florals. We can light up any event space, and if you need some advice on what lights will work best for you, just give us a call. If you are planning a large event, you may want to look at hiring one of our framed marquees, which offer a more weatherproof and sturdy structure.
“Betty Tells Her Story” was the first independent documentary of the Women’s Movement to explore the ways in which clothing and appearance affect a woman’s identity. It is used in film studies, psychology, sociology, women’s studies, and many other academic disciplines as a perceptive look at how our culture views light up numbers for hire sydney women in the context of body image, self-worth and beauty in American culture. The film was restored with a grant from New York Women in Film & Television’s Women's Film Preservation Fund. Rent backdrops for your birthday parties, baby showers, corporate events, dance functions and many other indoor events.
From our beginnings in 2014, we created this business to be an affordable & professional supplier of marquee letter lights for all occasions. We specalise in balloon decor, however we also have a range of props and florals to compliment our balloons. We also work closely with Sydney’s leading event suppliers, if you have a specific display in mind, let us know and we’ll put you in touch with who can make your vision a reality. This helps reduce our set up time, deepening on the size and style of the display our set up time can vary from 15mins to 1 hour.
The photos printed were clear and there were a good variety of props provided by the company. Event and Wedding Florist in Sydney specialising in modern, artistic flower arrangements for weddings, events and interiors in Sydney, Blue Mountains and Lower Central Coast. Prop hire Melbourne specialising in Vintage, Rustic and Boho prop hire, furniture and decor for any occasion from weddings to events. Using flowers is a classic way to bring grandeur and beautifulness, whether it is an entire floral wall or creatively spaced flower bouquets. Hire Flower Wall Photobooth Backdrop in Sydney A wall full of stunning blooming flowers of various shades will be set as your photo backdrop. Captiv8 is Sydney’s leading flower wall hire company, specialising in all types of events and...
It shifts among ballroom contests and shows and interviews with contestants, who belong to different "houses" that are like families to them, sharing their views on wealth, notions of beauty, racism and gender orientation. The story of Alike , a 17-year-old Black teenager embracing her identity as a lesbian coming out to her friends and family. The film involves taking risks, self-expression, new friendships, heartbreak and coming to terms with family. Kim Wayans gives an emotional performance as Alike’s mother who battles faith over her daughter’s lifestyle.
Its screenplay was the brainchild of Joel Sayre, Fred Guiol, and the writing team of Ben Hecht and Charles MacArthur. Cary Grant, Victor McLaglen and Douglas Fairbanks, Jr. star as eternally brawling British sergeants in colonial India, with Sam Jaffe as their faithful Indian water bearer, Gunga Din. To prove his worthiness to become the regiment's trumpeter, water bearer Gunga Din bravely comes to the rescue. Courtesy Milestone Film & VideoOne of the earliest ethnographic documentaries, "Grass" follows a branch of the Bakhtiari tribe in Persia (present-day Iran) in their seasonal quest to find better grazing land for their herds.
The rallying cry is "Fight Mouthwash, Eat Garlic." Gastronomic, zestful, tasty and memorable, the film often is screened in "AromaRound" with a pot of garlic butter boiling at the back of the theater. The much anticipated continuation of the "Star Wars" saga, Irvin Kershner's 1980 sequel sustained the action-adventure and storytelling success of its predecessor and helped lay the foundation for one of the most commercially successful film series in American cinematic history. After a Rebel base is taken over by the Empire, Han Solo and Princess Leia , with Wookiee Chewbacca and droid C-3PO in tow, flee from the Empire as they speed across the galaxy.
Told from the perspective of a sensitive young German soldier during WWI, recruited by a hawkish professor advocating "glory for the fatherland." The young soldier comes under the protective wing of an old veteran who teaches him how to survive the horrors of war. The film is emotionally draining, and so realistic that it will be forever etched in the mind of any viewer. Milestone's direction is frequently inspired, most notably during the battle scenes. In one such scene, the camera serves as a kind of machine gun, shooting down the oncoming troops as it glides along the trenches.
Few movies thrust its viewers into the heart of erotic obsession than Alfred Hitchcock's "Vertigo." As Jimmy Stewart pursues mystery woman Kim Novak, whom he transforms into the image of the dead woman he loved, Hitchcock paints a vivid picture of the consuming and harrowing nature of desire. Stewart, a police detective debilitated by the dizzying effects of his acrophobia, is shown as a man free-falling into love, in a thrillingly and surprisingly compelling performance. Novak exhibits a slinky feline grace and alley cat passion in a mesmerizing dual role. The dreamlike images of this romantic tragedy are so eerily beautiful they become indelible in viewers' minds. But over time, "Vertigo" has percolated into our collective consciousness, and is now cited by film scholars and viewers alike as the greatest film of all time, displacing the previously perennial champion "Citizen Kane." This rollicking musical satire of Hollywood in the 1920s when film transitioned from silent to sound features outstanding performances by Debbie Reynolds, Donald O'Connor, Jean Hagen, and Gene Kelly who co-directed the film with Stanley Donen.
The first feature-length entry in Disney's "True Life Adventure" series, "The Living Desert" opens with a close-up glance of percolating desert geysers seemingly dancing to the appropriate musical accompaniment. Among the wildlife specimens depicted are the roadrunner, the chuckwalla, the skunk, the scorpion and the kangaroo-rat. The narration, by co-writer Winston Hibler, is often undercut by weak attempts at humor, but when Disney plays it straight, such as in the battle between a rattlesnake and a tarantula, the film is at its strongest. The film was originally released to theatres in a package that included the live-action short "Stormy" and the animated featurette "Ben and Me." Edward G. Robinson sneers and preens as the swaggering Caesar Enrico Bandello, a small-time hood who dreams of the big time and crashes the Chicago rackets. Mervyn LeRoy directs the picture with an efficient reserve, thanks partly to his own artistry and partly to the constraints of sound recording in its early days.
Enhancing the fair's festivities, which include the making of mom's entry for the cook-off and the fattening-up of the family pig, are diverse storylines rich with Americana and romance—some long-lasting and some ephemeral, rife with fun but fleeting as the fair itself. The film's authenticity owes much to its director, widely known as the "King of Americana" through films such as "Tol'able David," "Carousel" and "Wait till the Sun Shines, Nellie." Western star Tom Mix, dubbed King of the Cowboys, portrays a government agent in pursuit of a ring of smugglers who Newbury has discovered are trafficking in Chinese immigrants. The pursuit eventually leads to a showdown in the Grand Canyon where many scenes in the film were shot.
The film is a perfect showcase for its two charismatic stars, especially the effervescent Day who demonstrates why she was both America's Sweetheart and one of cinema's finest comediennes. In what many consider Jerry Lewis's greatest film as actor and director, this film is a twist on the classic "Dr. Jekyll and Mr. Hyde" story, as translated by Lewis and co-screenwriter Bill Richmond. Nerdy professor Lewis concocts a formula to become more popular and turns himself into the narcissistic womanizer Buddy Love who attempts to work his magic on co-ed Stella Stevens. This comical character study tinged with pathos reveals Lewis's not inconsiderable acting talent. Considered by film historian Thomas Cripps as "a watershed in the use of film to promote racial tolerance," "The Negro Soldier" was produced in reaction to instances of discrimination against African-Americans stationed in the South. It became mandatory viewing for all soldiers in American replacement centers from spring 1944 until the war's end.
No longer the focal point of the picture, they served as comic relief to the musical romance between Kitty Carlisle and Allan Jones. As the business-savvy Thalberg might have predicted, the film was the highest grossing of all the Marx Brothers comedies, but also signaled their artistic decline. Though no longer at the reins, they still delivered plenty of frenetic fun, as evidenced by the hilarious stateroom scene, and subjected Margaret Dumont and Sig Ruman to endless indignities. John Landis directs the escapades of a misfit group of fraternity members who challenge the dean and the establishment. The cast includes John Belushi, Tom Hulse, Tim Mattheson, Karen Allen, Kevin Bacon and Donald Sutherland. It is the first film produced by National Lampoon, the most popular humor magazine on college campuses in the mid-1970s.